Feb 13 2014

paths

I’ve recently come to terms with the fact that -in for a penny, in for a pound- I’ll probably never stop searching for meaning, for answers, for gnosis, and for ways to find them.

When I was an undergrad, and active in theater, I wound up writing an extensive paper on Jean Genet, focusing on his plays: The MaidsDeathwatchThe BalconyThe Blacks, and The Screens.  At the time, most of the authors I was reading could be summed up as “any combination of gay, criminal, and/or an addict” (Burroughs, Genet, and Charriere were all in heavy rotation, as well as others I’ve since forgotten about). I haven’t read Genet since the late 80s, but have recently reacquired a good chunk of his work. I’ll probably revisit him at some point in the future (currently reading Melmoth the Wanderer by Maturin, and loving it). My final paper on Genet for my second semester of History of the Theater was probably about 15-20 pages about Genet’s idea of “Theater as Ritual” which is an idea that resurfaced for me towards the end of my time in grad school.

Namely, in terms of Antero Alli’s ParaTheatrical Research.

I haven’t worked with Alli (though if I could go back in time, I would have considered this as a possible portion of my grad-school studies), but I’ve gotten to know him a little bit via Facebook. Interesting fellow. You really should check him and his work out.

In any event, I’m not writing about Alli, or Genet here, ultimately, but rather the quest – the need to touch that-which-cannot-be-named, to understand. One of my favorite quotes from Lon Milo DuQuette in The Magick of Thelema (1993) sums it up for me:

“The Magician does not necessarily want the burden of existence lifted from his shoulders; he wants to understand why he is carrying it and where.”

In fact, I used that quote as the opening salvo of my personal statement in grad school.

For a while, as I’ve written throughout this site, I was very interested in Crowley, the O.T.O., Thelema, variations on T.O.P.Y.,  and Chaos Magick.

These days, I find my interests to be much quieter.

One stream that I’ve become very interested is the traditional practices of my ancestors. My great-great maternal grandfather, Albert Hunter, was a Pennsylvania Dutch Pow-wow practitioner. I’ve also been quietly looking into Rune systems as well, and become interested in plant lore, and still have an immense love and respect for dreams and dreaming.

All of this, while working a 9-5 (okay, 8:30-4:30) job, and raising a two year old son.

In fact, part of the reason I’ve become interested in these traditions (and, honestly, I’d say they’re supplemental to my interests in “higher” magick, rather than replacing them), is to pass these traditions on to him. The day will come when he asks us “Mom, Dad, what do we believe?” and I want to have an answer for him.

A little while back, a group entered my awareness. I know none of the players involved, and the literature is prohibitively expensive. On the surface, however, their interests seem to be along the lines of where my own are right now. I have no idea how to make contact, or if I even want to make contact. My experiences with groups tend to inevitably end in disappointment.

That said, I hereby affirm my intention to at least read what literature of theirs that I can come by (and, let’s be honest, when your major texts are going for thousands of dollars on the secondary market, there are .PDFs to be had until other printings surface), and determine whether it continues to appear to be a good match.

One sign, I suppose, was that upon contemplating them last night, I was reminded of The Xenis Emputae Travelling Band. Last night, I loaded their discography onto my iPad, to listen to at work today. This morning, I found that Phil Legard (the main force behind XETB), posted a piece yesterday about a quasi-mystical horseman’s guild from the 19th century (fascinating reading, actually), specifically remarking about the use of a magickal “toad bone” to control the horses.

He provides references to a few works about the toad bone, including pieces by Andrew Chumbley.

Sometimes the universe winks back at you.

I should clarify that I would not call my current interests “Wicca” – I have no use for Gardner, nor his school.

Ultimately, I believe, we all need to find our own ways – our own paths, but they can and should be rooted in those of our ancestors.

If my son rejects all of this, I am totally fine with that.

If, however, he has an interest, then I want to be able to be the best resource and facilitator I can be.

But in the end, this is for me.

It is what I need to do.

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